Download e-book for kindle: After Modern Art, 1945-2000 (Oxford History of Art) by David Hopkins

By David Hopkins

ISBN-10: 0191518042

ISBN-13: 9780191518041

Smooth and modern artwork should be either baffling and lovely; it may well even be cutting edge, political, and demanding. This ebook units out to supply the 1st concise interpretation of the interval as an entire, clarifying the artists and their works alongside the way in which. heavily trained by way of new severe techniques, it concentrates at the courting among American and eu artwork from the tip of the second one global battle to the eve of the hot millennium.

Jackson Pollock, Jasper Johns, Yves Klein, Andy Warhol, Louise Bourgeois, Cindy Sherman, and Damien Hirst are between many artists mentioned, with cautious realization being given to the political and cultural worlds they inhabited. relocating alongside a transparent timeline, the writer highlights key hobbies corresponding to summary Expressionism, Pop artwork, Minimalism, Conceptualism, Postmodernism, and function paintings to give an explanation for the theoretical and issue-based debates that experience supplied the engine for the artwork of this era.

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Additional info for After Modern Art, 1945-2000 (Oxford History of Art)

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As markers of an artistic tabula rasa they were not completely unprecedented. The Russian artist Malevich had produced his White on White paintings in 1918 as an outcome of different metaphysical preoccupations. However, Rauschenberg's pictures broke decisively with Modernist assumptions of aesthetic self-containment. They questioned whether art experiences should actually be sought from 'within' objects. Cage responded in appropriate Zen style. His notorious 4'33" of late 1952 involved a concert audience being enjoined to 'listen' to a piano piece consisting of three sections.

Constructed from interactions between elegant skating lines and languorous smudges of colour, Gorky's semiabstractions seemed to evoke sultry or neurotic reveries centring on the body. But they also spoke of the over-refined European sensibility that informel artists like Dubuffet, with their embrace of matter, were trying to bypass. The Abstract Expressionists' hankerings after (prewar) European sophistication often sat uneasily alongside their desire to assert their American-ness'. Robert Motherwell is significant in this respect.

Ye^rbefQrf; Pollock's premature djeatli, Krasfter; made powerful collages, posibly drawing on the huge semi-abstractl'paperTCilts'ihatthe veteran French Modernist Henri Matisse was producing aroundihis time, In one of these collages she made use of off-cuts from her husband*s:canyas£s, asif rehearsing the problematics of retaining a separable identity [24}. * flAl\/ wv*^. Lv» V style she had earlier needed fe suppress. Thdupshbt hf this account is to show that, as in earlier instances in twefttieth-century irt,lhfc strttctural position of female artists, as underwritten:by;sociallyand culturaJlydWerMiiied frameworks of male-female relations, frequently placed female practitioner!

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After Modern Art, 1945-2000 (Oxford History of Art) by David Hopkins


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