By Michael Payne, Jessica Rae Barbera
Now completely up-to-date and revised, this new version of the hugely acclaimed dictionary presents an authoritative and obtainable advisor to trendy rules within the huge interdisciplinary fields of cultural and demanding concept <ul type="disc">* up-to-date to add over forty new entries together with items on Alain Badiou, Ecocriticism, Comparative Racialization , traditional Language Philosophy and Criticism, and Graphic Narrative* contains reflective, broad-ranging articles from prime theorists together with Julia Kristeva, Stanley Cavell, and Simon Critchley* contains a totally up to date bibliography* Wide-ranging content material makes this a useful dictionary for college students of a various variety of disciplines
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Additional resources for A Dictionary of Cultural and Critical Theory
These anthropological productions, often commissioned after the military invasion of an African territory or after a rebellion against occupying European powers (Asad, 1973; Achebe, 1988), were intended to provide the European administrations and missionary cultural workers with information about the “primitive” African mind, so that they could properly inculcate into the African conscience European values and cultural attitudes. It is within this context that the significance of Father Placide Tempels’s controversial book, Bantu Philosophy (1945), must be understood.
Beardsley, “The affective fallacy” (1949). The essay seeks to promote an “objective criticism” in which attention is directed exclusively to the artifact itself. Its purported “classical objectivity” (as against “romantic reader psychology”) concerns itself with giving an account of the poem (the New Critics tend to privilege Poetry in their work, but the concept is equally applicable to other genres) as the cause of an emotion, rather than of the emotion expressed or effected by the poem. K. and Beardsley, Monroe C.
However, critics such as Joseph Dewey problematize such stable models for the literature(s) of AIDS, since such genres as plague literature or elegies are anachronistic to the postmodern reality of AIDS and do not encompass the spirit of activist resistance present in such writings. Robert Franke (1993) feels that the characteristics of both fiction and nonfiction AIDS writing suggest the development of a new genre, one which acknowledges the failure of modern science to support the complex realities of human experience.
A Dictionary of Cultural and Critical Theory by Michael Payne, Jessica Rae Barbera